"Fass demonstrates an impressive talent for impersonating all types of people... with great skill and delight."
—review of THE POSER by Jacob Rubin, AudioFile Magazine
"An expert narrator... Fass has an ability to render Verdon’s carefully written dialogue the way it should sound; an ability to give each major character his or her own instantly recognizable voice... [and] an ability to make abrupt tonal shifts to match the story’s light-and-dark pattern. A top-notch performance."
—review of PETER PAN MUST DIE by John Verdon, Booklist Online
"Robert Fass reads the new audiobook in a quiet, bedtime-story voice that makes this unsettling tale even creepier."
—review of WACO by David Thibodeau, New York Times Sunday Book Review

Praise for WEST by Carys Davies:
"It’s clear that with Fass in charge, there’s no need for a full cast to tell the story of Bellman’s quixotic hunt for nonexistent beasts. Fass lives up to his many awards, including the Library Journal’s 2017 Best Audiobook Award for Calvin Trillin’s 'Killings.'"
--Chicago Tribune
"Robert Fass nestles inside the minds of the characters in Davies’s haunting first novel, with voices that reflect their dreams and frustrations."
--Vulture.com
Selection, Vulture.com Best Audiobooks of 2018
"Expert narrator Fass nimbly alternates among characters’ viewpoints... Perhaps most skillful is Fass’s characterization of the young guide, who cannot converse in English but has deep, interesting, and sometimes dark thoughts."
--Booklist Online
"This important and often personal summary of how age affects happiness is served well by the equanimity and grace of Robert Fass's narration. Whether it's author Rauch's personal journey, his fascinating data, or his sensitive portraits of the experts he interviews, Fass captures all of this author's intensity and colorful writing."
—review of THE HAPPINESS CURVE by Jonathan Rauch, AudioFile Magazine
Winner, AudioFile Earphones Award
Selection, AudioFile Best Audiobooks of 2018
"Robert Fass uses his deep, rich voice and acting talents to convincingly portray the many different Greek, German, English, American, and other characters that fill this complicated and far-fetched story. Fass is so talented that the listener can't help but set reality aside and get on board."
—review of THE 34TH DEGREE by Thomas Greanias, AudioFile Magazine
"Robert Fass's skill in blurring the line between author and narrator shines."
—review of THE FLY TRAP by Fredrik Sjöberg, AudioFile Magazine
"Narrating a diverse cast with convincing versatility, Robert Fass calibrates emotions perfectly without excessive drama, so Barkan’s observant prose registers fully with readers."
—review of MEXICO: STORIES by Josh Barkan, Library Journal
"Fass is especially plausible in the female roles and credible with the varied accents. When the action ramps up, so does Fass. It’s almost a perfect listen."
—review of THE REVISIONISTS by Thomas Mullen, AudioFile Magazine
"Fass’s pleasant baritone makes the horror, as it is slowly unveiled, all the more shocking. [He] masterfully sets the mood—whispering to presage the most ominous passages, then voicing the monster in conniving, menacing tones. Fass effectively voices the large, mostly male cast from America, Italy, and Turkey, but his real accomplishment is his ability to set and sustain the nightmare tone until the very end and the final, delicious twist."
—Starred review of ARARAT by Christopher Golden, Booklist Online
"Fass's characterizations sparkle... his accents are first-rate."
—review of VIENNA TWILIGHT by Frank Tallis, AudioFile Magazine
"A voice of gentle authority and a good command of historic detail and literary deconstruction."
—review of THE YEAR OF LEAR by James Shapiro, AudioFile Magazine
Audie Award nominee
Voice Arts Award nominee
Selection, AudioFile's Best Audiobooks of 2016
"If the book is a B-movie horror story, Robert Fass's narration makes it an Oscar-worthy movie... this is a standout performance."
--review of JOE GOLEM AND THE DROWNING CITY by Mike Mignola & Christopher Golden, AudioFile Magazine
Winner, AudioFile Earphones Award
"[Fass] navigates the complexities of genetic engineering with a straightforward delivery that makes accessible both the science and the stories associated with it."
—review of FOOD FIGHT by McKay Jenkins, AudioFile Magazine
"This audiobook, a stunning example of science fiction, is perfectly performed."
—review of MOCKINGBIRD by Walter Tevis, AudioFile Magazine
Winner, AudioFile Earphones Award
"With great versatility, narrator Robert Fass rises to Carlos Fuentes's challenging masterpiece...the listener cannot fail to be moved."
—review of NIETZSCHE ON HIS BALCONY by Carlos Fuentes, AudioFile Magazine

Praise for SAY HER NAME by Francisco Goldman:
"Fass’s reading shows understanding and respect for the grieving author. He captures the guilt, grief, and deep loss in a realistic, unsentimental narration. Fass’s fluent Spanish pronunciations are an asset, as some conversations and writings are in Spanish. Fass depicts Aura with humor and verve, capturing her joy of life and love for her husband and others. He is especially adept at reading playful, humorous byplay between the two main characters. By the time details of Aura’s death are revealed, we have come to love and care about her. Fass’s skillful voicing of her many moods and aspirations adds to our feelings."
--Booklist Online
"Narrator Robert Fass has an appealing soft tone, impeccable timing, and an enviable ease switching between English and Mexican Spanish. Even more important is his sensitive rendering of Goldman’s emotions—from infinite gratitude and awe at meeting and loving Aura to shocking, soul-crushing guilt and loss following her death. It’s a stunning production that allows Aura to live on."
--AudioFile Magazine
Winner, AudioFile Earphones Award
Selection, AudioFile's Best Audiobooks of 2011
"[Fass's] voice brings to life an engrossing story of a world master terrorist who has infiltrated Washington itself...a story of intense treachery that comes to life in audio..."
—review of TREASON by Newt Gingrich and Pete Earley, Midwest Book Review
"Fass has a slow, even cadence and a soft Yiddish accent for the bulk of the lyrical narrative. But he varies his accents voicing each character, distinctly trading Yiddish for American regional inflections. His star voice of the book is the houseguest, Ana, whose low, throaty voice is mesmerizing... Fass reads with a passion that deftly captures [the characters'] emotional states. Filled with vivid period detail and memorable images, this beautifully read story will linger in listeners’ minds."
—Starred review of THE HOUSEGUEST by Kim Brooks, Booklist Online
"This wonderful, honest, humorous listen draws on Fass's high-quality narration."
—review of OUT OF MY LEAGUE by George Plimpton, AudioFile Magazine
"...Expertly narrated by Robert Fass, and with flawless technical production values...very highly recommended."
—review of SOLAR EXPRESS by L.E. Modesitt, Midwest Book Review
"...voices are done to perfection and very realistic.  At times deliberate, at times expressing anger, he delivers an emotional performance. There is quite a bit of description of the geography of the area and, as with the dialog, Fass does a great job. Fass’s interpretation of the Gurney character must get high approval marks from the author."
—review of PETER PAN MUST DIE by John Verdon, Soundcommentary.com
"Fass’s sandy, taciturn voice makes addictive a story that everyone who was once a child will appreciate. He has total control of the three languages spoken: English (mostly), Mexican Spanish, and Cuban Spanish. He even sings “O Tannenbaum” in Austrian German."
—review of LEARNING TO DIE IN MIAMI by Carlos Eire, AudioFile Magazine
"Fass excellently leads the listener among the many characters and changing time periods. His mastery of Spanish (both Castilian and Mexican), Italian, and Latin keeps the narrative fluid and the pacing just right. Fass has the experience and skill to keep the many threads of plot and setting alive for the listener, no small feat in this complex novel."
—review of SUDDEN DEATH by Álvaro Enrigue, Booklist Online
"Robert Fass offers a very expressive and disciplined reading of this text. He is polished and nuanced in delivery and never seems to mispronounce a word or skip a beat."
—review of THE GREAT WAR OF OUR TIME, Library Journal

Praise for THE MULBERRY BUSH by Charles McCarry:
"Narrator Robert Fass shares his gift for crisp articulation and natural-sounding conversation in this notable audiobook. His warm tones enhance the unusual spy story that unfolds.  Fass delicately renders the voice of beautiful Luz and creates subtle but distinguishable characterizations of people from the Middle East and Russia."
--AudioFile Magazine
"Fass is a measured reader who allows the story to build slowly to a stunning finish. It’s a pleasure to listen to his narration: he uses an impressive range of accents, and he switches nimbly between them.  McCarry puts his characters through their emotional paces, something that Fass handles with ease and sensitivity."
--Booklist Online
"Narrated by the excellent Robert Fass, this brilliantly crafted novel makes a superb audiobook."
--Library Journal
"His voice is appropriately and frighteningly calm, with a detached kindness and a palpable hint of condescension toward the listener – until the frenetic plunge toward the end, where he seems to vibrate with tension."
—review of IT HAPPENED IN BOSTON? by Russell H. Greenan, Locus Magazine

Praise for THE HILLTOP by Assaf Gavron:
"Narrator Robert Fass ably gives voice to an array of characters young and old, Jewish and Arab, religious and secular, Middle Eastern and American. His narration ranges from mellow to melodramatic, as needed in a story that encompasses everyday village life, simmering psychological turmoil, and sudden violence. Fass strikes just the right tone for the strong thread of humor that runs through the fabric of the tale, providing invaluable auditory clues to the ironies and absurdities inherent in so many of the situations."
--Addicted to Story blog
"Fass’s deep, crisp voice provides the listener with a smooth and even narration throughout the story. The numerous Israeli and Palestinian characters and villages are pronounced with ease by this skilled narrator. When describing the conflicts between the protesters and the settlers, Fass adjusts the volume of his narration to portray their fierce emotions. Additionally, Fass can transition from the whiny voice of a toddler to the gravelly voice of an old man seamlessly. Fass masterfully delivers this intricate story of political corruption, family drama, and the importance of community."
--Booklist Online
"Robert Fass brings the story to life, using a enlivening mix of emotion and enthusiasm that helps the book seemingly fly by. Fass's distinct characterizations are particularly memorable."
—review of FAREWELL SUMMER by Ray Bradbury, AudioFile Magazine
"Robert Fass assumes the role of trusted informant and prepares listeners for detailed discussions of examples of radioactivity, both natural and man-made. The tone is conversational, and Fass deliberately manages the pace to focus the listener's attention and prevent information overload--no small feat in light of this topic's complexity."
—review of RADIATION by Robert Peter Gale and Eric Lax, AudioFile Magazine
"Multiple award–winning narrator Robert Fass has a smooth, deliberate cadence that makes it easy to soak up the extensive coverage of the era."
—Starred review of THOSE ANGRY DAYS by Lynne Olson, Library Journal
"Audie Award winner Robert Fass uses vocal depth and texture to become Adam, making the listener forget the presence of an actor."
—review of ADAM IN EDEN by Carlos Fuentes, Library Journal
"Robert Fass’s crisp narration enhances this audio edition of Fuentes’s riff on Bram Stoker’s Dracula...the Mexican setting calls for convincing Spanish accents, which Fass ably handles. He also demonstrates versatility in creating unique voices for the book’s many characters. A must for Dracula fans."
—review of VLAD by Carlos Fuentes, Publishers Weekly
"Narrator Robert Fass provides an eloquent narration, including an ability to switch from character to character with ease.  Fass is at the top of his game... he takes us back to Europe of 100 years ago and makes us believe we’re right in the thick of it."
—review of VIENNA SECRETS by Frank Tallis, AudioFile Magazine
"In lesser hands, this could have been a very confusing listen. Fass's skill provides the perfect delivery."
—review of SNOW WHITE MUST DIE by Nele Neuhaus, AudioFile Magazine